[ Kirk ] : For those of you that think gospel music has gone to far. You think we've gotten too radical with our message.
Well, I got news for you! You ain't heard nothing yet! And if you don't know, Now you know! Glory, Glory!!
Whooo!
You better put those hands together!
And act like you know Him in here!
G:P:
[ Part1: ] Lately, I've been going through some things that really got me down!
Put your hands together! Come on!
I need someone, somebody to help me come and turn my life around!
I feel like having some church up in here! Come on! Heh!
I can't explain it! I can't obtain it!
Jesus, your love is so! It's so amazing!
It gets me high! Up to the sky!
And, when I think about your goodness, it makes me wanna stomp!
HAHAHA You can't take my joy, Devil!
Makes me clap my hands! Makes me wanna dance, and stomp!
Oh, you better put those hands together and have a Holy Ghost Party with me!
My brother, can't you see? I got the victory! STOMP!!! Pula pisadão!
HAHAHA You can't take my joy, devil!
[ repeat part 1 ]
[ Salt (rap) ] : When I think about the goodness and fullness of God, Makes me thankful Pity the hateful! I'm grateful! The Lord brought me through this far! Trying to be cute when I praise him. Raise him high!
I keep the live beat bumping. Keep it jumping! Make the Lord feel something!
Ain't no shame in my game! God's Property! Kickin' it with Kirk, Ain't no stoppin' me! UH, stomp! Pula pisadão!
[ Kirk: ] GP are you wit me?
[ GP: ] Oh yeah!
We having church we ain't going nowhere! [ repeat 3 times ]
The "praxis" is the most efficient way to discover and to learn to use the Portuguese language. I pay close attention to the context, linguistic input and non-verbal cues around me; I observe interaction and the words people use, as well as closely studying the written word; I analyze what I see, by looking for pattern that repeat themselves; I deduce and develop hypotheses about what the rules are that govern phonetics, grammar and non-verbal cues; I put words and phrases into practice to see if I can pronounce and order them well enough to make myself understood by others, as well as understanding what others say, which are the two most important tests of linguistic competence; and then I reflect on what has been successful in my communication and what has not, so that I can reuse successful practices while abandoning those that don't work.
When I use each of the above steps every day, at least a little bit, then I can see my own progress on a daily basis. I understand more often, I am more often understood by others, and people compliment me on my improvement.
When I first began studying Spanish, I studied at a university. All year I anxiously studied, afraid that I wasn't learning all that I should, and dreading the final exam, after which the teacher would tell me whether I had learned or not.
Then I traveled to Chile, a Spanish-speaking country, and I quickly discovered that I had learned virtually nothing about Spanish during my year of study that would help me understand people who speak Spanish and make myself understood.
During that trip, I read the revolutionary Brazilian educator Paulo Freire's "Pedagogy of the Oppressed", a book about his philosophy of education and the role of the teacher and the role of the students when learning to read and write in Portuguese. Paulo Freire said, essentially, that to be empowered by and through the learning process, students must focus on subject matter that is directly and immediately relevant to them, to their daily challenges, concerns and aspirations. They must begin their literacy training by learning to read and spell the words that they most need to grasp and communicate their own realities, whatever they be.
Inevitably, then, a text book designed for teaching wealthy white children in São Paulo will be inappropriate for teaching Blacks adults who are struggling daily in the favelas of Salvador. They both need the same kind of education, which is an education based on subject matter that is relevant to their radically different lives.
Paulo Freire said that there are basically two approaches to education: one that sees the student's head as a basket to be filled by the teacher with factoid nuggets that are to be memorized by the student. In this model, the student is said to have "learned" if s/he can faithfully repeat what s/he has been told.
In Paulo Freire's model, the student discovers how to read and spell the words that express what the student has been thinking and feeling. The newfound ability to communicate this reality is empowering and even exhilarating, creating in this way the motive force that rewards the student for her efforts.
Can I turn you on by my word's spell? Look into my eyes think I want you, can't tell Me I keep it sexy, daddy so I can't fail Keep it gangsta for the cowards so I give 'em hell Call me misfit, lips spit a gang of trash Wrist glist now cause I make a gang of cash Light glance, still street with the do-rag Slang, spit game, change speech, how they do that? Watch they mouths drop, watch the crowds pop up and act out Broads with the screw face, smash on and knock out Ain't changed game game around me, I run the game If I gotta keep it gritty so be it, I'm supposed to change Like simple, dizzy broads ain't messin' with my mental Natural born hustlin' bitch check what I've been through Got mine took it from you, and now you slot mine Exec to my own shit, dawg I ownin' dot coms'
Yo, yo I can understand why you're scared of Eve Thought I did it one way, ain't prepared for me Huh, mad cause an image I don't care to be Realness, real shit, spit reality Attitude rude, that's the Philly in I Need me in the game, I'm the thrill in your life Breath of fresh air Little boys hang me on their wall, I grow 'em chest hair Why you listenin to other shit? You go the best here Come on try your luck shorty, I got the rest scared Bet you anything you aint ready and you get left there Ain't known for frontin' vouch for my behavior, Same way they get down I get down for this paper Sixteen lean from my pence so you can test her Still need to know who I am then cop the record Take it like a class on me and learn the lesson Bottom line my world, my way any questions
Uh, yo power moves is made everyday by this thorough bitch I'mma get this bank anyway that I do this shit I was born to shine while most of y'all was borderline bullshit Know exactly what I want from me, you cats is clueless, Dispose the flow through my hands like water Heat starts growing from my son or my daughter Eve want her own cash, fuck what you bought her He spend, you owe, that's what mommy taught her All ball is played, won't starve today Song after song I write so I get paid Thought I wasn't followin' up with the second round Now bitch swallow it up while I shut it down Make em love me over again and over your name Betcha they get over your style and over your fame Why you lookin sad at me, I ain't the blame Back to plan B baby I can feel your pain
Iai Cowboy Viado!! Longe de casa faz mais de uma semana... Aqui você é macho, né? Mas a gente sabe da sua fama! Anda pra lá e pra cá... Com essa sua calça jeans... Socada no rego... E ainda que paga de machão! Monta no cavalo.. e sai com o rabo todo empinado!!
Ae cowboy Viado!!
Senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!!
Iai cowboy viado?? Chapeuzinho dobrado.. E aqui no rodeio.. cheio de querer ser pião!! Fivela na calça... Engraxa seu sapato... E paga de machão!!
Senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!!
Iai cowboy viado.. Anda de pickup... com chifre colado no capo... com a carroceria cheia de macho.. Enquanto isso lá em casa.. a patroa só com o Ricardão!!
Ae cowboy Viado!!
Senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Ele senta!! Eu sei que senta!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!! Senta no cavalo só pra levanta o rabo!!
Whoo! Whoo! It sure is hot out here! Claro, está quente aqui fora. Ya know? Você sabe? I don't mind, though. Eu não ligo, pois. Just glad to be free. Apenas feliz de ser livre. Know what I'm saying, uh! Sabe o que estou dizendo, eh?
Take the shackles off my feet so I can dance. Tira as algemas dos meus pés para que eu possa dançar! I just wanna praise you. Eu apenas quero adorar a você. (What'cha wanna do?) O que você quer fazer. I just wanna praise you. Eu apenas quero adorar a você. (Yeah, yeah) Sim, sim! You broke the chains. Você quebrou a corrente. Now, I can lift my hands. Agora, eu posso levantar minhas mãos. (Uh, feel me?) Uh, você me compreende? And I'm gonna praise you. E eu vou adorar a você. (What'cha gon do?) O que você vai fazer? I'm gonna praise you! Eu vou adorar você.
In the corners of mind. Na quina da mente, I just can't seem to find a reason to believe Eu simplesmente não posso encontrar uma razão para acreditar That I can break free Que eu possa me soltar. Cause, you see, I have been down for so long, Porque, você viu, eu tenho estado deprimido faz tanto tempo. Feel like the hope is gone. Sinto que toda a esperança me foi. But as I lift my hands, I understand Mas na hora de levantar as minhas mãos, eu entendo That I should praise you through my circumstance Que eu devo adorar vocêdiante das minhas circunstâncias.
Take the shackles off my feet so I can dance Tira as algemas dos meus pés para que eu possa dançar. I just wanna praise you Eu apenas quero adorar a você. I just wanna praise you Eu apenas quero adorar a você. You broke the chains Você quebrou as algemas. Now, I can lift my hands Agora, eu posso levantar minhas mãos. And, I'm gonna praise you E, Eu vou adorar a você. I'm gonna praise you Eu vou adorar a você.
Everything that could go wrong Todo quanto podia ir errado. All went wrong at one time Todos erraram ao mesmo tempo. So much pressure fell on me Tanta pressão caiu sobre mim. I thought I was gon lose my mind Eu pensava que ia perder minha mente. But I know you wanna see Mas eu sei que você quer ver . If I will hold on through these trials Se eu posso aguentar firme nos desafios. But I need you to lift this load Mas eu preciso que você levante este peso. Cause I can't take it anymore Porque isso eu não posso mais aguentar .
Take the shackles off my feet so I can dance Tira as algemas dos meus pés para que eu possa dançar. I just wanna praise you Eu apenas quero adorar a você. I just wanna praise you Eu apenas quero adorar a você. You broke the chains now I can lift my hands Você quebrou as algemas agora eu posso levantar minhas mãos. And I'm gonna praise you E eu vou adorar a você. I'm gonna praise you Eu vou adorar a você.
Been through the fire and the rain Passei por o fogo e pela chuva. Bound in every kind of way Amarrado de todos os jeitos. But, God has broken every chain Mas, Deus tem quebrado todas as correntes. So, let me go right now Então me deixe ir agora mesmo.
Take the shackles off my feet so I can dance Tira as algemas dos meus pés para que eu possa dançar. I just wanna praise you Eu apenas quero adorar a você. I just wanna praise you Eu apenas quero adorar a você. You broke the chains now I can lift my hands Você quebrou as algemas agora eu posso levantar minhas mãos. And I'm gonna praise you E eu vou adorar a você. I'm gonna praise you Eu vou adorar a você. [repeat x3]
Take them off Tire eles! What'cha gonna do, yeah? O que você vai fazer, yeah?
Take the shackles off my feet so I can dance Tira as algemas dos meus pés para que eu possa dançar. I just wanna praise you Eu apenas quero adorar a você. I just wanna praise you Eu apenas quero adorar a você. You broke the chains now I can lift my hands Você quebrou as algemas agora eu posso levantar minhas mãos. And I'm gonna praise you E eu vou adorar a você. I'm gonna praise you Eu vou adorar a você.
Mary Mary Biography
Sing365.com offers excellent biographical information about "Erica" and "Tina" of Mary Mary:
Both Erica and Tina agree that many of their own dreams have been fulfilled in the short space of just one year and indeed, the upbeat title track of their second album accurately describes how the Inglewood, California, sisters feel about all that they've accomplished since the release of the critically-acclaimed Thankful. Born to gospel-singing parents in a family that includes five other sisters and a brother, Erica and Tina heard gospel music by artists like the Clark Sisters, Commissioned, the Winans, Shirley Caesar, John P. Kee, Rev. Milton Brunson and Hezekiah Walker from the very start. Along with their siblings, the sisters sang in the local church choir and were often given coveted soloist spots. After singing with the popular "Bobby Jones Gospel" show on BET, Erica and Tina were inspired to pursue musical careers.
In 1995, the pair were cast in the Michael Matthews gospel show, "Mama I'm Sorry," and followed it up with performances in another Matthews show, "Sneaky," touring the country performing before audiences who truly appreciated their vocal skills. While holding down day jobs--Erica at a local supermarket, Tina at a major department store--to pay the rent and complete college, the sisters found themselves constantly drawn to work in music. Erica began doing background singing on the road with Brian McKnight, Brandy, Terry Ellis and Ray-J while Tina sang with Eric Benet and Kenny Lattimore. While secular music helped pay the bills, Erica and Tina's deeply-held personal beliefs found even greater expression in the inspirational songs they began writing together.
In 1996, the pair met producer Warryn Campbell, who had also grown up steeped in the tradition of great gospel music. Suitably impressed, Campbell started writing with the sisters and took the material along with the pair's original demos to EMI Music. As a result, Erica and Tina found themselves with their own publishing deal: "Dance," a tune they wrote and performed with Robin S., was added to the best-selling soundtrack for the film, "Dr. Dolittle." Further opportunities to showcase their songwriting skills came with the inclusion of the song "Let Go, Let God" in the inspirational soundtrack for "The Prince Of Egypt" and a recording by girl group 702 of another Atkins' original "What More Can He Do." When gospel great Yolanda Adams, one of Mary Mary's musical inspirations, recorded two songs--"Time To Change" and "Yeah"-- for her platinum album Mountain High Valley Low, the sisters felt they had been truly blessed.
It was only a matter of time before the sisters' songwriting and vocal talents led to a major record deal. In 1999, the pair signed with Columbia Records and became one of the first gospel duos to be signed with the label. As Mary Mary, the duo's musical direction was clear: "Gospel tells you about what God can do, it tells you the good news of Jesus," says Erica. "Because our music is so hip-hop and has an urban feel, a lot of people think, 'Oh it's inspirational, it's contemporary.' It can be. But listen to what we're saying in our songs which tell the message of Christ specifically." Sing365.com
I remember mama, And the love that she gave. Kneeling by her bed side, I can still hear mama say,
"The people are depending on you, Shirley! Don't you let them down!"
I remember mama in a happy way!
We went to school with holes in our shoes. We didn't have much, but the lord saw us through. Mama kept the family together! I remember mama in a happy way!
She packed our lunch in an old greasy bag. It might've seemed empty, But it was more than others had. It had a lot of love way down deep inside! And I remember mama in a happy way!
Now mama is sleeping in the bosom of Jesus Christ! Somehow, I know she's smiling, she's smiling on us right now! One day, I'll see her again!, How happy I will be! And I remember mama in a happy way!
My brothers and sisters, they're living far apart. Although my mama's gone, she's right here in our hearts.
We're all gonna pull together and stay in the holy place.
I remember mama in a happy way. I remember mama! I remember mama! in a happy way!
Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high
If I had a day that I could give you Id give to you a day just like today If I had a song that I could sing for you Id sing a song to make you feel this way
Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high
If I had a tale that I could tell you Id tell a tale sure to make you smile If I had a wish that I could wish for you Id make a wish for sunshine all the while
Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high Sunshine almost all the time makes me high Sunshine almost always
You are the sunshine of my life voce e os raios da minha vida Thats why Ill always be around, aquele por que eu sempre serei proximo
You are the apple of my eye, voce e a maça dos meus olhos Forever youll stay in my heart para sempre voce estara em meu coraçao
I feel like this is the beginning, eu sinto que isto e o começo Though Ive loved you for a million years, mesmo quando eu amei voçe por um milhao de anos
And if I thought our love was ending e se eu mesmo quando nosso amor estava acabando
Id find myself drowning in my own tears.eu encontrei por mim mesmo afundando em minhas proprias lagrimas
You are the sunshine of my life, voce e o raios da minha vida Thats why Ill always stay around, aquele por que eu sempre serei proximo
You are the apple of my eye, voce e a maça dos meus olhos Forever youll stay in my heart, para sempre voce estara em meu coraçao
You must have known that I was lonely, voce deve ter sabido que eu era solitario Because you came to me rescue, porque voce voltou para me resgatar And I know that this must be heaven, e eu sei que este deve ser o céu How could so much love be inside of you? como poderia tanto amor estar dentro de voce
You are the sunshine of my life, yeah, voce e os raios da minha vida, sim Thats why Ill always stay around, aquele por que eu sempre serei proximo You are the apple of my eye, voce e a maça dos meus olhos Forever youll stay in my heart para sempre voce estara em meu coraçao.
(background) love has joined us, (coro) amor tem nos unidos Love has joined us amor tem nos unidos, Let's think sweet love. vamos pensar no doce amor
Dividir a palavra em sílabas. (Normalmente, a palavra é dividida antes de consoantes. Não da para dividir ditongos (dois o três consoantes juntos) ex. "in * gles".
Pronunciar cada sílaba individualmente, segundo os sons e regras de cada letra e sílaba.
Pronunciar as sílabas da palavra uma trás a outra, lembrando que normalmente os sons das sílabas não vão mudar cada uma simplesmente por colocar sílabas a mais. Pronuncia sílabas independentemente, e junta-las uma trás outra.
Uma maneira fácil e freqüentemente certa de saber onde na palavra cai a tonalidade (énfasis) é perguntando-se cual das sílabas é a raiz da palavra e, por lo tanto, leva o maior significado da palavra.
As vezes palavras em inglês e português têm uma tonalidade (énfasis) principal, e também uma ênfase secundário, ex. "sim * ples * mente".
Quando cantamos uma canção em inglês, ajuda bastante lembrar-mos que as canções freqüentemente rimam; se você sabe pronunciar a última palavra da primeira linha de um verso, muitas vezes a última de segunda e/ou terceira vai rimar e então as terminações dessas palavras vão pronunciar-se identicamente ou quase identicamente. E isto mesmo se esses terminações das palavras não são soletradas da mesma maneira, pois em inglês muitas vezes tem varias maneiras de escrever o mesmo son.
Por exemplo, as palavras "floor" e "more" riman, mesmo quando escrita diferente. Em este exemplo, o mesmo son pode ser escrito com dois "oor" ou com "ore". Ver estos versos de "Smack That", canção por Akon:
Smack that, all on the floor! Smack that, give me some more! Smack that 'till you get sore!
Shady Sacana Konvict Culpado Upfront Em frente Akon Slim Shady Sacana magrinho
I see the one, could she be that lady! Oh! Eu vejo ela mesma. Ela pode ser aquela dama. I feel you creeping, I can see it from my shadow Eu sinto você enganando, Eu posso ver isso da minha sombra.
Why not jump up in my Lamborghini Gallardo. Por qué não pulamos em minha Lamborghini Gallardo Maybe go to my place and just kick it like taebo. Tal vez ir para meu berço e transar como taebo.
Isto é Taebo
and possibly bend you over, Eu poderia pegar-te por detrás, look back and watch me Você olha para trás e observa-me.
[ Chorus (2X) ]
Smack that, all on the floor! Bate nisso, por todo o chão! Smack that, give me some more! Bate nisso, me da um pouco mais! Smack that 'till you get sore! Bate nisso, até você sentir dor. Smack that oh-oooh! Bate nisso, oh oh!
Upfront style, ready to attack now! Estilo papai-mamãe, pronto para atacar, já!
Pull in the parking lot, slow with the lack down. Entrar no estacionamento, lentamente com o Cadillac sem capota. Konvicts got the whole thing packed now. Convicto tem a coisa enteira cheio agora. Step in the club, the wardrobe intact now! Entre no clube, a roupa estilosa agora. I feel it on and crack now! Eu sinto isso indo e craque agora! Ooh, I see it all that back now. Ooh, Eu vejo tudo isso de volta agora! I'ma call her, than I'll put the mack down. Eu vou ligar para ela, então eu vou chegar nela. Money no problem, pocket full of that now! Dinheiro não é problema, bolsos cheios disso agora!
I feel you creeping, I can see it from my shadow. Eu sinto você gatinhando, posso vê-lo atravês da minha sombra. Why not jump up in my Lamborghini Gallado. Porque não pular no meu Lamborghini Gallardo? Maybe go to my place and just kick it like taebo. Talvez ir para minha casa e apenas chuta como taebo. and possibly bend you over, E possivelmente dobrar você atrás, look back, and watch me . . . mirar atrás e guardar-me.
[ Chorus (2x) ]
Smack that, all on the floor" Bate nisso, em todo o chão! Smack that, give me some more! Bate nisso, me da mais! Smack that 'till you get sore! Bate nisso, até você sentir dor. Smack that oh-oooh! Bate nisso, oh oh!
[ Eminem: ]
Ooh...Looks like another club banger. Ooh, parece outro encrenqueiro do clube. They better hang on when they throw this thing on! Melhor eles segurar quando eles começam esta briga! Get a lil drink on! Pegar um pequeno drinque e andar. They goin flip for this Akon shit. Eles vão tirar flipes para Akon. You can bank on it! Você pode bancar isso! Pedicure, manicure, kitty-cat claws . . . Pedicure, manicure, garras de gatinhas . . . The way she climbs up and down them poles. Do jeito que ela sobe e desce esses postes. Looking like one of them putty-cat dolls. Parecendo uma dessas bonecas gatinhas. Trying to hold my woody back through my draws. Tentando segurar meu pau por minhas cuecas.
Steps offstage didn't think I saw her. Sai da pista, no pensava que eu vi ela. Creeps up behind me and she's like "you're!..." Ela rasteja de trás de mim, e ela e como, "Você é!" I'm like I know, lets cut to the chase. Eu sou como, "eu sei," Vamos dar no pé. No time to waste! Não há tempo para desperdiçar! Back to my place. Voltemos para meu berço. Plus from the club to the crib's like a mile away. Mais ainda, desde o clube até o berço é como dois quilômetros. Or more like a palace, shall I say? Ou mais parece um palácio, posso dizer? And plus I got a pal if your gal is game E ainda mais eu tenho um amigo, se sua amiga quer. In fact he's the one singing De fato, é ele quem está cantando the song that's playing a canção que está tocando. "Akon!" "Akon!"
[ Akon: ]
I feel you creeping, Eu sinto você gatinhando, I can see it from my shadow. posso vê-lo atravês da minha sombra. Why not jump up in my Lamborghini Gallado. Porque não pular no meu Lamborghini Gallardo? Maybe go to my place and just kick it like taebo. Talvez ir para minha casa e apenas chuta como taebo. and possibly bend you over look back and watch me. E possivelmente dobrar você atrás, mirar atrás e guardar-me.
[ Chorus ]
Smack that, all on the floor! Bate nisso, em todo o chão! Smack that, give me some more! Bate nisso, me da mais! Smack that 'till you get sore! Bate nisso, até você sentir dor. Smack that oh-oooh! Bate nisso, oh oh!
Eminem's rollin', D and them rollin' Eminem está rolando, D e eles rolando. Ooh, marvelous and all them rolling. Ooh, maravilhoso e todos eles rolando. Women just hoin, big booty rollin' Mulheres tiradas, bundões rolando. Soon I'll be on them and goin "D!" Entre pouco eu vou estar acima delas e indo, "D"! Hittin no less than "Three!" Batendo não menos do que três! Block will style like "Whee!" O pedaço vai desfilar como, "Whee" Girl, I can tell you want me because lately Garota, eu posso perceber que você me quer porque ultimamente
I feel you creeping, Eu sinto você gatinhando, I can see it from my shadow. posso vê-lo atravês da minha sombra. Why not jump up in my Lamborghini Gallado. Porque não pular no meu Lamborghini Gallardo? Maybe go to my place and just kick it like taebo. Talvez ir para minha casa e apenas chuta como taebo. and possibly bend you over look back and watch me. E possivelmente dobrar você atrás, mirar atrás e guardar-me.
[ Chorus ]
Smack that, all on the floor" Bate nisso, em todo o chão! Smack that, give me some more! Bate nisso, me da mais! Smack that 'till you get sore! Bate nisso, até você sentir dor. Smack that oh-oooh! Bate nisso, oh oh!
Cantando as cançoes Youtube.com, pesquisando a suas "lyrics" ingleses em Google, traduzindo-as para Portugûes, e assim aprendendo Inglês mais rapidamente e mais facilmente do que com qualquer outro método. E todo sem materias caras, e sem esse horrível chatice de decorar tabelas de verbos e vocabulários.
Gabriel
Gabriel speaks English.
Aperta este gráfico e digita a palavra que você quer pesquisar do lado da palabra "Merriam" em Google, e Merriam dará a definição gratuitamente.
